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Organized Cast Verdigris

#3b8277
Notes

Organized Cast Verdigris (#3B8277) is a true teal with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (171°, 38%, 37%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#3b8277
RGB
rgb(59, 130, 119)
HSL
hsl(171, 38%, 37%)
HWB
hwb(171 23% 49%)
OKLCH
oklch(55.8% 0.074 182.0)
P3
color(display-p3 0.3047 0.5035 0.4671)
HSV
hsv(171, 55%, 51%)
LAB
lab(49.77% -25.12 -0.82)
LCH
lch(49.77% 25.13 181.86)
CMYK
cmyk(55%, 0%, 8%, 49%)

Etymology

Organized
adjective

Greek órganon, instrument / tool — past-participle of organize. As a color modifier, organized implies a clear-and-coordinated-and-systematic quality where the hue carries the visual register of well-coordinated-and-classified arrangement. Sits at the crisp-and-orderly end of the grid, parallel to orderly and methodical in usage.

Cast
modifier

Old Norse kasta, to-throw / to-mold. As a color modifier, cast implies a poured-metal-and-shaped quality, the visual register of foundry-cast-iron-and-bronze hand-poured-and-cooled iron-and-bronze-and-tin foundry-cast-and-shaped surfaces under foundry-cast-iron-and-bronze workshop-light. Sits at the modifier-and-texture end of the grid, parallel to forged and hewn in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#3b8277
Original
#7d7b77
Protanopia
#717378
Deuteranopia
#0f847f
Tritanopia
#727272
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.52:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.65:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##3B8277
Display P3
Display P3
color(display-p3 0.3047 0.5035 0.4671)
Inside sRGBOKLCH chroma 0.074

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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