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Pleasant Twine Topaz

#3ac2b7
Notes

Pleasant Twine Topaz (#3AC2B7) is a true cyan with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (175°, 54%, 49%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#3ac2b7
RGB
rgb(58, 194, 183)
HSL
hsl(175, 54%, 49%)
HWB
hwb(175 23% 24%)
OKLCH
oklch(74.0% 0.115 187.1)
P3
color(display-p3 0.3967 0.7503 0.7159)
HSV
hsv(175, 70%, 76%)
LAB
lab(71.49% -38.26 -5.00)
LCH
lch(71.49% 38.58 187.45)
CMYK
cmyk(70%, 0%, 6%, 24%)

Etymology

Pleasant
adjective

From the French plaisant, pleasing — used as a color modifier since the fifteenth century for hues that read as agreeable, the kind of color that wears well over a long viewing without becoming demanding or fatiguing. Pleasant green, pleasant rose: moderate saturation combined with optical comfort. Sits at the crisp-bucket alongside easy and calm.

Twine
modifier

Old English twīn, double-thread. As a color modifier, twine implies a hand-twisted-string quality, the visual register of hand-twisted-and-laid-twine hand-twisted-and-laid string-and-twine-and-cord hand-twisted-twine-and-cord surfaces under hand-twisted-and-laid-twine working light. Sits at the modifier-and-texture end of the grid, parallel to cord and twined in usage.

Topaz
noun

A fluorine aluminum silicate gem, hardness 8 on the Mohs scale, mined for centuries in Ouro Preto, Brazil. Imperial topaz is the prized variety: a warm, slightly pink-shifted gold-orange with the high refractive index of a quality cut stone. Cooler than amber, brighter than honey, with the gem's signature internal fire when held to light. Named for the island of Topazos in the Red Sea, though that source produced peridot instead.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#3ac2b7
Original
#b8b7b7
Protanopia
#a4a9b8
Deuteranopia
#00c7be
Tritanopia
#a4a4a4
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.19:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
9.58:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##3AC2B7
Display P3
Display P3
color(display-p3 0.3967 0.7503 0.7159)
P3 has subtle headroomOKLCH chroma 0.115

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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