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Lined Kilt Verdigris

#3aaaab
Notes

Lined Kilt Verdigris (#3AAAAB) is a true cyan with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (181°, 49%, 45%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#3aaaab
RGB
rgb(58, 170, 171)
HSL
hsl(181, 49%, 45%)
HWB
hwb(181 23% 33%)
OKLCH
oklch(67.7% 0.099 195.9)
P3
color(display-p3 0.3594 0.6577 0.6657)
HSV
hsv(181, 66%, 67%)
LAB
lab(63.82% -30.40 -9.75)
LCH
lch(63.82% 31.93 197.79)
CMYK
cmyk(66%, 1%, 0%, 33%)

Etymology

Lined
adjective

Old English līne, line / cord — past-participle of line. As a color modifier, lined implies a clear-and-coordinated-and-supported quality where the hue carries the visual register of carefully-lined-and-supported textile-or-print surface. Sits at the crisp-and-finished end of the grid, parallel to trim and coordinated in usage.

Kilt
modifier

Scots kilt, Highland-pleated-skirt. As a color modifier, kilt implies a Highland-tartan-and-pleated-skirt quality, the visual register of Highland-tartan-and-Black-Watch-kilt hand-Highland-tartan-and-pleated-skirt Highland-tartan-and-Black-Watch-kilt-and-clan-Macleod kilt-and-Highland-tartan surfaces under Highland-tartan-and-Black-Watch-kilt-and-clan-Macleod Highland-clan-and-Edinburgh-tartan-mill tartan-and-pleated-light. Sits at the modifier-and-textile end of the grid, parallel to sash and tabard in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#3aaaab
Original
#9fa2ab
Protanopia
#8e95ac
Deuteranopia
#00afaa
Tritanopia
#929292
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.79:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
7.52:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##3AAAAB
Display P3
Display P3
color(display-p3 0.3594 0.6577 0.6657)
P3 has subtle headroomOKLCH chroma 0.099

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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