Punchy Mass Royal

A modern adjectival form of punch, to strike sharply. Used as a color word since the early twentieth century for hues that read as highly contrasting and visually loud. Punchy red, punchy yellow: the implication is full saturation combined with optical impact. Sits across the bold and bright buckets, near vivid and striking.

Latin missa, Mass-of-the-Eucharist. As a color modifier, mass implies a Eucharistic-and-liturgical-feast quality, the visual register of Roman-Catholic-and-Anglican-Mass Eucharistic-and-liturgical-feast altar-and-vestment-and-incense liturgical-Mass surfaces under Mass-and-Eucharistic-feast altar-candle-and-incense light. Sits at the modifier-and-time end of the grid, parallel to vigil and vesper in usage.

The blue of European royal court dress and regalia from the late seventeenth century forward — the color of British peers' robes, French royal sashes, the lining of the crown-jewel cases. The color refers to a saturated, slightly violet-shifted blue with the matte finish of velvet or melton wool dyed to maximum intensity: deeper than cornflower, warmer than ultramarine, with the heraldic weight of a color reserved for monarchs and the official Crown.