colors
Back to gallery

Combustive Lone Turquoise

#39e4d5
Notes

Combustive Lone Turquoise (#39E4D5) is a true cyan with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (175°, 76%, 56%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#39e4d5
RGB
rgb(57, 228, 213)
HSL
hsl(175, 76%, 56%)
HWB
hwb(175 22% 11%)
OKLCH
oklch(83.2% 0.135 186.0)
P3
color(display-p3 0.4509 0.8816 0.8338)
HSV
hsv(175, 75%, 89%)
LAB
lab(82.46% -45.28 -4.93)
LCH
lch(82.46% 45.55 186.21)
CMYK
cmyk(75%, 0%, 7%, 11%)

Etymology

Combustive
adjective

Latin combūstus, burnt — adjectival suffix -ive, derived from com-burere (to burn-up). As a color modifier, combustive implies a saturated-and-burning-active quality, the bright color of blast-furnace-and-foundry combustion-chamber emission. Sits at the bright-and-warm end of the grid, parallel to fiery and blazing in usage.

Lone
modifier

Middle English lone, shortened from alone. As a color modifier, lone implies a solitary-and-singular-and-isolated quality, the visual register of Caspar-David-Friedrich-Wanderer-and-lone-pine hand-solitary-and-singular-and-isolated Caspar-David-Friedrich-Wanderer-and-lone-pine-and-Romantic-vista loned-and-solitary-and-singular-and-isolated surfaces under Caspar-David-Friedrich-Wanderer-and-lone-pine-and-Romantic-vista mountaintop-and-empty-shore single-figure-light. Sits at the modifier-and-mood end of the grid, parallel to void and drear in usage.

Turquoise
noun

The hydrated copper-aluminum phosphate mined in Persia and the American Southwest for thousands of years — the firuze of Iran, the chalchihuitl of Mesoamerica, the heart of Pueblo and Navajo silverwork. The color refers to a fine Sleeping Beauty turquoise from Arizona: a saturated, slightly green-shifted blue with the slight matrix of host-rock veining. Brighter than persian, lighter than cerulean.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#39e4d5
Original
#d8d7d5
Protanopia
#c1c6d7
Deuteranopia
#00e9df
Tritanopia
#bfbfbf
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.59:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
13.23:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##39E4D5
Display P3
Display P3
color(display-p3 0.4509 0.8816 0.8338)
P3 has subtle headroomOKLCH chroma 0.135

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas