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Pleasant Frock Teal

#39c5b2
Notes

Pleasant Frock Teal (#39C5B2) is a true teal with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (172°, 55%, 50%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#39c5b2
RGB
rgb(57, 197, 178)
HSL
hsl(172, 55%, 50%)
HWB
hwb(172 22% 23%)
OKLCH
oklch(74.6% 0.120 181.8)
P3
color(display-p3 0.3999 0.7618 0.6989)
HSV
hsv(172, 71%, 77%)
LAB
lab(72.24% -41.09 -1.17)
LCH
lch(72.24% 41.11 181.64)
CMYK
cmyk(71%, 0%, 10%, 23%)

Etymology

Pleasant
adjective

From the French plaisant, pleasing — used as a color modifier since the fifteenth century for hues that read as agreeable, the kind of color that wears well over a long viewing without becoming demanding or fatiguing. Pleasant green, pleasant rose: moderate saturation combined with optical comfort. Sits at the crisp-bucket alongside easy and calm.

Frock
modifier

Old French froc, monk's-habit-or-loose-garment. As a color modifier, frock implies a monk's-habit-and-pinafore-and-day-frock quality, the visual register of Benedictine-monk's-frock-and-Edwardian-day-frock hand-monk's-habit-and-pinafore-and-day-frock Benedictine-monk's-frock-and-Edwardian-day-frock-and-pinafore frock-and-monk's-habit-and-pinafore surfaces under Benedictine-monk's-frock-and-Edwardian-day-frock-and-pinafore Cluny-Abbey-and-Edwardian-tea-room habit-and-day-dress-light. Sits at the modifier-and-textile end of the grid, parallel to gown and cope in usage.

Teal
noun

Anas crecca, the small dabbling duck whose male in breeding plumage sports a chestnut head crossed by a glossy green-blue stripe. The color refers to that stripe — the iridescent panel just behind the eye: a saturated, slightly muted blue-green with the optical depth of structural color rather than pigment. Cooler than cypress, warmer than cerulean, with the ornithological specificity of a color named for one feather of one bird.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#39c5b2
Original
#bcb9b1
Protanopia
#a8abb4
Deuteranopia
#00c9bf
Tritanopia
#a6a6a6
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.14:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
9.80:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##39C5B2
Display P3
Display P3
color(display-p3 0.3999 0.7618 0.6989)
P3 has subtle headroomOKLCH chroma 0.120

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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