colors
Back to gallery

Open Chiton Teal

#397c93
Notes

Open Chiton Teal (#397C93) is a true cyan with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (195°, 44%, 40%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary orange. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#397c93
RGB
rgb(57, 124, 147)
HSL
hsl(195, 44%, 40%)
HWB
hwb(195 22% 42%)
OKLCH
oklch(55.2% 0.076 223.4)
P3
color(display-p3 0.2922 0.4803 0.5666)
HSV
hsv(195, 61%, 58%)
LAB
lab(48.75% -14.03 -18.81)
LCH
lch(48.75% 23.46 233.28)
CMYK
cmyk(61%, 16%, 0%, 42%)

Etymology

Open
adjective

Old English open, unobstructed — used as a color modifier since the eighteenth century for hues that read as airy or uncrowded. Open blue, open green: moderate saturation combined with optical spaciousness, the slight visual breath of a hue that doesn't crowd the surface it covers. Sits at the crisp-bucket center alongside clear.

Chiton
modifier

Greek χιτών, Hellenic-tunic. As a color modifier, chiton implies a Hellenic-tunic-and-pinned-and-pleated quality, the visual register of Hellenic-Doric-and-Ionic-chiton hand-Hellenic-tunic-and-pinned-and-pleated Hellenic-Doric-and-Ionic-chiton-and-Phidias-Parthenon chiton-and-Hellenic-tunic surfaces under Hellenic-Doric-and-Ionic-chiton-and-Phidias-Parthenon Athenian-Acropolis-and-Hellenic-court Hellenic-tunic-light. Sits at the modifier-and-textile end of the grid, parallel to peplos and tunic in usage.

Teal
noun

Anas crecca, the small dabbling duck whose male in breeding plumage sports a chestnut head crossed by a glossy green-blue stripe. The color refers to that stripe — the iridescent panel just behind the eye: a saturated, slightly muted blue-green with the optical depth of structural color rather than pigment. Cooler than cypress, warmer than cerulean, with the ornithological specificity of a color named for one feather of one bird.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#397c93
Original
#6f7994
Protanopia
#627093
Deuteranopia
#008383
Tritanopia
#6f6f6f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.69:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.48:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##397C93
Display P3
Display P3
color(display-p3 0.2922 0.4803 0.5666)
Inside sRGBOKLCH chroma 0.076

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

Related Colors

Canvas