Conquering Pegasus Ultramarine

Latin conquīrere, to seek thoroughly — present-participle of conquer. As a color modifier, conquering implies a saturated-and-overwhelming-and-victorious quality where the hue overcomes neighboring colors through pure pigmentation strength. Sits at the bold-and-celebratory end of the grid, parallel to triumphant and dominant.

Greek Πήγασος, winged-horse-of-myth. As a color modifier, pegasus implies a winged-horse-and-Great-Square quality, the visual register of Pegasus-Great-Square-and-winged-horse hand-winged-horse-and-Great-Square Pegasus-Great-Square-and-winged-horse-and-autumn-Pegasus pegasus-and-winged-horse-and-Great-Square surfaces under Pegasus-Great-Square-and-winged-horse-and-autumn-Pegasus October-and-November-autumn-zenith autumn-constellation-light. Sits at the modifier-and-cosmic end of the grid, parallel to cygnus and draco in usage.

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.