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Pellucid Sloop Verdigris

#37b5b7
Notes

Pellucid Sloop Verdigris (#37B5B7) is a true cyan with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (181°, 54%, 47%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#37b5b7
RGB
rgb(55, 181, 183)
HSL
hsl(181, 54%, 47%)
HWB
hwb(181 22% 28%)
OKLCH
oklch(70.7% 0.107 196.6)
P3
color(display-p3 0.3710 0.7000 0.7120)
HSV
hsv(181, 70%, 72%)
LAB
lab(67.48% -32.61 -10.96)
LCH
lch(67.48% 34.41 198.57)
CMYK
cmyk(70%, 1%, 0%, 28%)

Etymology

Pellucid
adjective

Latin pellūcidus, transparent — derived from per-lūcēre (to shine through). As a color modifier, pellucid implies a clear-and-translucent quality where the hue reads with optical clarity and minimal turbidity. Sits at the crisp-and-clear end of the grid, parallel to lucid and translucent in usage.

Sloop
modifier

Dutch sloep, single-masted-vessel. As a color modifier, sloop implies a single-masted-fore-and-aft-rigged-vessel quality, the visual register of American-and-Dutch-sloop hand-built single-masted-fore-and-aft-rigged sloop-and-cutter maritime-architecture surfaces under American-and-Dutch sloop-and-cutter maritime sailing light. Sits at the modifier-and-nautical end of the grid, parallel to skiff and hull in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#37b5b7
Original
#a9acb7
Protanopia
#969eb8
Deuteranopia
#00bbb5
Tritanopia
#9a9a9a
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.48:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
8.46:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##37B5B7
Display P3
Display P3
color(display-p3 0.3710 0.7000 0.7120)
P3 has subtle headroomOKLCH chroma 0.107

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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