Mourning Virgo Ultramarine

Old English murnan, to grieve — present-participle of mourn, sharing root with Old Norse morna. As a color modifier, mourning implies the deep-and-funereal-and-formal-and-Victorian-mourning-period black-textile quality, the dark cool-formality of widow's-weeds-and-funeral-procession. Sits at the deep-and-funereal end of the grid, parallel to funereal and sepulchral.

Latin virgo, virgin-or-maiden-of-the-zodiac. As a color modifier, virgo implies a maiden-and-earth-sign-and-Mercury-ruled-mutable-earth quality, the visual register of Hellenic-Virgo-and-Astraea-maiden hand-maiden-and-earth-sign-and-Mercury-ruled-mutable-earth Hellenic-Virgo-and-Astraea-maiden-and-Spica-grain virgo-and-maiden-and-earth-sign surfaces under Hellenic-Virgo-and-Astraea-maiden-and-Spica-grain late-summer-and-August-and-September mutable-earth-sign-light. Sits at the modifier-and-zodiac end of the grid, parallel to leo and libra in usage.

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.