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Heavy Skiff Tanzanite

#372591
Notes

Heavy Skiff Tanzanite (#372591) is a true indigo with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (250°, 59%, 36%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#372591
RGB
rgb(55, 37, 145)
HSL
hsl(250, 59%, 36%)
HWB
hwb(250 15% 43%)
OKLCH
oklch(36.4% 0.167 281.9)
P3
color(display-p3 0.2051 0.1480 0.5467)
HSV
hsv(250, 74%, 57%)
LAB
lab(24.26% 39.47 -56.56)
LCH
lch(24.26% 68.97 304.91)
CMYK
cmyk(62%, 74%, 0%, 43%)

Etymology

Heavy
adjective

Old English hefig, weighty — cognate with heave. Used as a color modifier since at least the seventeenth century to indicate weight in saturation as much as value: heavy with pigment, heavy-bodied. In the engine's adjective grid, heavy sits alongside deep and plush in the dark-and-saturated quadrant. Closer to a fabric description than a pure value word.

Skiff
modifier

Italian schifo, small-boat. As a color modifier, skiff implies a small-flat-bottomed-rowing-boat quality, the visual register of Cornish-and-Mediterranean-skiff hand-built small-flat-bottomed-rowing-and-sailing skiff-and-dinghy-and-rowboat maritime-architecture surfaces under Cornish-and-Mediterranean small-skiff-and-dinghy harbor-and-fishing light. Sits at the modifier-and-nautical end of the grid, parallel to sloop and hull in usage.

Tanzanite
noun

A blue-violet variety of zoisite — discovered in 1967 in a single small area of northern Tanzania near Mount Kilimanjaro and marketed by Tiffany & Co. shortly after. The color refers to a faceted tanzanite cut to maximize its strong pleochroism: a saturated, slightly violet-shifted deep blue-purple with the gem's signature internal life. Cooler than amethyst, warmer than iolite, with the gem-trade specificity of a stone that occurs in exactly one place on Earth.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#372591
Original
#003d94
Protanopia
#00368f
Deuteranopia
#004359
Tritanopia
#313131
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
11.44:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
1.84:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##372591
Display P3
Display P3
color(display-p3 0.2051 0.1480 0.5467)
P3 has subtle headroomOKLCH chroma 0.167

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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