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Balanced Robe Lagoon

#36b0d2
Notes

Balanced Robe Lagoon (#36B0D2) is a true cyan with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (193°, 63%, 52%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#36b0d2
RGB
rgb(54, 176, 210)
HSL
hsl(193, 63%, 52%)
HWB
hwb(193 21% 18%)
OKLCH
oklch(70.6% 0.114 220.8)
P3
color(display-p3 0.3614 0.6807 0.8088)
HSV
hsv(193, 74%, 82%)
LAB
lab(66.89% -21.93 -26.77)
LCH
lch(66.89% 34.61 230.67)
CMYK
cmyk(74%, 16%, 0%, 18%)

Etymology

Balanced
adjective

The past participle of balance, to weigh evenly. Used as a color modifier since the eighteenth century for hues that read as neither overcommitted nor restrained. Balanced sage, balanced taupe: moderate saturation combined with optical equilibrium. Sits at the crisp-bucket center alongside even.

Robe
modifier

Old French robe, long-flowing-garment. As a color modifier, robe implies a long-flowing-and-academic-and-judicial quality, the visual register of Oxford-Cambridge-academic-and-judicial-robe hand-long-flowing-and-academic-and-judicial Oxford-Cambridge-academic-and-judicial-robe-and-monastic-habit robe-and-long-flowing-and-academic surfaces under Oxford-Cambridge-academic-and-judicial-robe-and-monastic-habit Senate-and-Inns-of-Court-and-cathedral-cloister Trinity-Senior-Common-Room-light. Sits at the modifier-and-textile end of the grid, parallel to gown and cope in usage.

Lagoon
noun

A shallow body of saltwater partially or fully enclosed by a barrier — coral atoll lagoons in the Pacific, Venice's Laguna Veneta, the Florida Keys' backcountry. The color refers to the average reflectance of a calm tropical lagoon at midday: a saturated, slightly muted blue-green with the optical clarity of shallow water over white sand. Brighter than reef, cooler than aquamarine, with the postcard weight of a Pacific atoll seen from above.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#36b0d2
Original
#9cabd4
Protanopia
#869cd2
Deuteranopia
#00bbbb
Tritanopia
#999999
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.53:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
8.30:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##36B0D2
Display P3
Display P3
color(display-p3 0.3614 0.6807 0.8088)
P3 has subtle headroomOKLCH chroma 0.114

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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