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Trim Vita Verdigris

#36aca8
Notes

Trim Vita Verdigris (#36ACA8) is a true cyan with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (178°, 52%, 44%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#36aca8
RGB
rgb(54, 172, 168)
HSL
hsl(178, 52%, 44%)
HWB
hwb(178 21% 33%)
OKLCH
oklch(68.0% 0.102 191.7)
P3
color(display-p3 0.3552 0.6652 0.6554)
HSV
hsv(178, 69%, 67%)
LAB
lab(64.25% -32.82 -7.45)
LCH
lch(64.25% 33.65 192.79)
CMYK
cmyk(69%, 0%, 2%, 33%)

Etymology

Trim
adjective

Old English trymman, to make firm — sharing root with firm. As a color modifier, trim implies a clear-and-neatly-arranged quality where the hue carries the visual register of carefully-edited surface-detail. Sits at the crisp-and-neat end of the grid, parallel to neat and tidy in usage.

Vita
modifier

Latin vita, life-or-living. As a color modifier, vita implies a Latin-life-and-living-quality quality, the visual register of Roman-vita-and-dolce-vita-Latin-life hand-Latin-life-and-living-quality Roman-vita-and-dolce-vita-Latin-life-and-Vergilian-pastoral vita-and-Latin-life-and-living-quality surfaces under Roman-vita-and-dolce-vita-Latin-life-and-Vergilian-pastoral Augustan-Rome-and-Renaissance-Italy living-Roman-light. Sits at the modifier-and-Latin end of the grid, parallel to amor and via in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#36aca8
Original
#a2a3a8
Protanopia
#9096a9
Deuteranopia
#00b1aa
Tritanopia
#939393
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.75:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
7.62:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##36ACA8
Display P3
Display P3
color(display-p3 0.3552 0.6652 0.6554)
P3 has subtle headroomOKLCH chroma 0.102

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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