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Orderly Nova Verdigris

#36aa87
Notes

Orderly Nova Verdigris (#36AA87) is a true teal with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (162°, 52%, 44%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#36aa87
RGB
rgb(54, 170, 135)
HSL
hsl(162, 52%, 44%)
HWB
hwb(162 21% 33%)
OKLCH
oklch(66.4% 0.116 168.8)
P3
color(display-p3 0.3521 0.6575 0.5374)
HSV
hsv(162, 68%, 67%)
LAB
lab(62.74% -40.70 8.75)
LCH
lch(62.74% 41.63 167.86)
CMYK
cmyk(68%, 0%, 21%, 33%)

Etymology

Orderly
adjective

Latin ōrdō, order — adjectival suffix -ly. As a color modifier, orderly implies a clear-and-arranged-and-organized quality where the hue carries the visual register of carefully-ordered-and-classified placement. Sits at the crisp-and-orderly end of the grid, parallel to methodical and organized in usage.

Nova
modifier

Latin nova, new-or-newly-bright-star. As a color modifier, nova implies a sudden-bright-and-newly-erupted-and-flaring quality, the visual register of Tycho-Brahe-and-Kepler-supernova-nova hand-sudden-bright-and-newly-erupted Tycho-Brahe-and-Kepler-and-Cassiopeia-A nova-and-sudden-bright-and-flaring surfaces under Tycho-Brahe-and-Kepler-and-Cassiopeia-A late-Renaissance-observatory-and-naked-eye sudden-stellar-light. Sits at the modifier-and-cosmic end of the grid, parallel to flare and spark in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#36aa87
Original
#a69f85
Protanopia
#969389
Deuteranopia
#00aba0
Tritanopia
#8f8f8f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.89:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
7.26:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##36AA87
Display P3
Display P3
color(display-p3 0.3521 0.6575 0.5374)
P3 has subtle headroomOKLCH chroma 0.116

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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