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Gallant Tsuyukusa

#3655b3
Notes

Gallant Tsuyukusa (#3655B3) is a true blue with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (225°, 54%, 46%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#3655b3
RGB
rgb(54, 85, 179)
HSL
hsl(225, 54%, 46%)
HWB
hwb(225 21% 30%)
OKLCH
oklch(48.0% 0.154 266.8)
P3
color(display-p3 0.2387 0.3301 0.6783)
HSV
hsv(225, 70%, 70%)
LAB
lab(38.79% 20.83 -53.40)
LCH
lch(38.79% 57.32 291.31)
CMYK
cmyk(70%, 53%, 0%, 30%)

Etymology

Gallant
adjective

Old French galant, brave / charming — present-participle of galer (to make merry). As a color modifier, gallant implies a saturated-and-chivalrous-and-confident quality, the deep-rich color of Three-Musketeers and Cyrano-de-Bergerac swashbuckling adventure tradition. Sits at the bold-and-chivalrous end of the grid, parallel to valiant and heroic.

Tsuyukusa
noun

Commelina communis, the Japanese dayflower — a wildflower whose deep blue flowers were used in the seventeenth century as a textile dye and aobana paper for yuzen dyeing patterns. Tsuyukusa-iro (露草色) refers to the saturated blue of fresh dayflower. The color refers to a fresh dayflower bloom: a saturated, slightly cool deep blue with the satin finish of three-petaled flower.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#3655b3
Original
#1861b6
Protanopia
#0056b1
Deuteranopia
#006b7c
Tritanopia
#555555
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.76:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.11:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##3655B3
Display P3
Display P3
color(display-p3 0.2387 0.3301 0.6783)
P3 has subtle headroomOKLCH chroma 0.154

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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