Quiet Orion Verdigris

Latin quietus, at rest — used as a color modifier since the medieval period for hues that read as restrained. Quiet pink, quiet blue: low saturation combined with optical calmness. Sits across the crisp and hushed buckets where the color is present but doesn't ask for attention.

Greek Ὠρίων, hunter-of-the-myth. As a color modifier, orion implies a winter-hunter-and-belt-and-shoulder quality, the visual register of winter-Orion-and-Belt-of-Orion hand-winter-hunter-and-belt-and-shoulder winter-Orion-and-Belt-of-Orion-and-Bortle-1-sky orion-and-winter-hunter-and-belt-and-shoulder surfaces under winter-Orion-and-Belt-of-Orion-and-Bortle-1-sky January-and-February-winter-zenith winter-constellation-light. Sits at the modifier-and-cosmic end of the grid, parallel to rigel and cygnus in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.