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Spotless Set Verdigris

#35a39c
Notes

Spotless Set Verdigris (#35A39C) is a true cyan with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (176°, 51%, 42%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#35a39c
RGB
rgb(53, 163, 156)
HSL
hsl(176, 51%, 42%)
HWB
hwb(176 21% 36%)
OKLCH
oklch(65.3% 0.098 188.9)
P3
color(display-p3 0.3394 0.6305 0.6096)
HSV
hsv(176, 67%, 64%)
LAB
lab(61.09% -32.12 -5.42)
LCH
lch(61.09% 32.57 189.58)
CMYK
cmyk(67%, 0%, 4%, 36%)

Etymology

Spotless
adjective

Old English spott (spot) plus suffix -less. As a color modifier, spotless implies a clear-and-unmarked quality where the hue carries no contaminating speck or stain. Sits at the crisp-and-clean end of the grid, parallel to pristine and unblemished in usage.

Set
modifier

Old English settan, to put-down. As a color modifier, set implies a sunset-and-descending quality, the visual register of clear-sky western-horizon sunset-and-moonset descending-celestial-body atmospheric Rayleigh-scattered Belt-of-Venus orange-and-violet surfaces under descending-horizon-and-sunset light. Sits at the modifier-and-time end of the grid, parallel to rise and eve in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#35a39c
Original
#9a9a9c
Protanopia
#8a8e9d
Deuteranopia
#00a7a1
Tritanopia
#8b8b8b
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.06:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.87:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##35A39C
Display P3
Display P3
color(display-p3 0.3394 0.6305 0.6096)
P3 has subtle headroomOKLCH chroma 0.098

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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