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Lush Gloss Sapphire

#3564fb
Notes

Lush Gloss Sapphire (#3564FB) is a true blue with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (226°, 96%, 60%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#3564fb
RGB
rgb(53, 100, 251)
HSL
hsl(226, 96%, 60%)
HWB
hwb(226 21% 2%)
OKLCH
oklch(56.6% 0.231 265.8)
P3
color(display-p3 0.2526 0.3877 0.9492)
HSV
hsv(226, 79%, 98%)
LAB
lab(48.05% 37.44 -79.51)
LCH
lch(48.05% 87.88 295.22)
CMYK
cmyk(79%, 60%, 0%, 2%)

Etymology

Lush
adjective

Middle English lush, possibly from lascious, lascivious — a word that drifted from sensual ripeness toward visual abundance. Used as a color word since the eighteenth century for the saturated greens of well-watered foliage and the deep saturated jewel tones of velvet upholstery. Used across the deep and bold buckets where the hue is simultaneously dark and vivid.

Gloss
modifier

Old Norse glosi, glossy-shine. As a color modifier, gloss implies a polished-and-reflective-shine quality, the visual register of polished-and-glossy-leather-and-lacquer hand-polished-and-glossy lacquer-and-shellac-and-varnish polished-and-glossy-shine surfaces under polished-and-glossy-lacquer workshop-light. Sits at the modifier-and-texture end of the grid, parallel to sheen and shine in usage.

Sapphire
noun

An iron-and-titanium-bearing corundum — the same mineral as ruby, hardness 9 on the Mohs scale, mined for two millennia from Sri Lanka, Burma, Madagascar, and the Cashmere mines of British India. The color refers to a fine Kashmir-cut sapphire: a saturated, slightly violet-shifted deep blue with the gem's signature internal velvet — a quality of light scattering in the stone that faceted glass cannot replicate. Cooler than cobalt, deeper than azure.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#3564fb
Original
#007cff
Protanopia
#0069f8
Deuteranopia
#008ba6
Tritanopia
#656565
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.81:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.37:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##3564FB
Display P3
Display P3
color(display-p3 0.2526 0.3877 0.9492)
P3 has visible headroomOKLCH chroma 0.231

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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