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Pleasant Noon Lagoon

#35647b
Notes

Pleasant Noon Lagoon (#35647B) is a true azure with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (200°, 40%, 35%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary orange. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#35647b
RGB
rgb(53, 100, 123)
HSL
hsl(200, 40%, 35%)
HWB
hwb(200 21% 52%)
OKLCH
oklch(48.0% 0.063 231.4)
P3
color(display-p3 0.2526 0.3877 0.4733)
HSV
hsv(200, 57%, 48%)
LAB
lab(40.08% -8.89 -17.77)
LCH
lch(40.08% 19.87 243.43)
CMYK
cmyk(57%, 19%, 0%, 52%)

Etymology

Pleasant
adjective

From the French plaisant, pleasing — used as a color modifier since the fifteenth century for hues that read as agreeable, the kind of color that wears well over a long viewing without becoming demanding or fatiguing. Pleasant green, pleasant rose: moderate saturation combined with optical comfort. Sits at the crisp-bucket alongside easy and calm.

Noon
modifier

Latin nona-hora, ninth-hour. As a color modifier, noon implies a midday-and-overhead-sun quality, the visual register of Mediterranean-and-Provençal high-noon vertical-shadow-and-strong-light bleached-and-clear-cast surfaces under high-noon overhead light. Sits at the modifier-and-time end of the grid, parallel to day and morn in usage.

Lagoon
noun

A shallow body of saltwater partially or fully enclosed by a barrier — coral atoll lagoons in the Pacific, Venice's Laguna Veneta, the Florida Keys' backcountry. The color refers to the average reflectance of a calm tropical lagoon at midday: a saturated, slightly muted blue-green with the optical clarity of shallow water over white sand. Brighter than reef, cooler than aquamarine, with the postcard weight of a Pacific atoll seen from above.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#35647b
Original
#59637c
Protanopia
#4f5b7b
Deuteranopia
#006a6b
Tritanopia
#5c5c5c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.44:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.26:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##35647B
Display P3
Display P3
color(display-p3 0.2526 0.3877 0.4733)
Inside sRGBOKLCH chroma 0.063

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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