Brimming Hera Royal

Old English brymme, brim / edge — present-participle of brim. As a color modifier, brimming implies a saturated-and-overflowing quality where the hue spills past the edge of its visual container with rich pigmentation. Sits at the bold-and-saturated end of the grid, parallel to replete and abundant.

Greek Ἥρα, queen-of-the-Olympian-gods. As a color modifier, hera implies a peacock-feather-and-queen-of-gods quality, the visual register of Olympian-Hera-and-Argos-temple hand-peacock-feather-and-queen-of-gods Olympian-Hera-and-Argos-temple-and-Heraion-of-Samos hera-and-peacock-feather-and-queen-of-gods surfaces under Olympian-Hera-and-Argos-temple-and-Heraion-of-Samos Polyclitus-and-Argive-and-Samian peacock-throne-light. Sits at the modifier-and-myth end of the grid, parallel to zeus and diana in usage.

The blue of European royal court dress and regalia from the late seventeenth century forward — the color of British peers' robes, French royal sashes, the lining of the crown-jewel cases. The color refers to a saturated, slightly violet-shifted blue with the matte finish of velvet or melton wool dyed to maximum intensity: deeper than cornflower, warmer than ultramarine, with the heraldic weight of a color reserved for monarchs and the official Crown.