Welcoming Tile Verdigris

Old English wel-cuman, well-coming — present-participle of welcome. As a color modifier, welcoming implies a clear-and-inviting-and-warm quality where the hue carries the visual register of cordial-and-hospitable color-tone. Sits at the crisp-and-cheerful end of the grid, parallel to hospitable and inviting in usage.

Old English tigele, roof-tile. As a color modifier, tile implies a fired-clay-or-stone-flat quality, the visual register of Spanish-and-Italian-and-Persian-tile hand-fired-and-glazed clay-and-stone-and-marble Spanish-and-Italian-and-Persian-tile surfaces under Spanish-and-Italian-and-Persian-tile workshop-light. Sits at the modifier-and-texture end of the grid, parallel to slab and plate in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.