Vivid Hover Turquoise

From the Latin vividus, full of life — used as a color modifier since the late sixteenth century for hues that read as luminous and saturated. Vivid red, vivid blue: the implication is that the color appears almost lit from within, with the optical brightness of a high-chroma surface in good light. Sits at the bright-bucket center alongside bright and electric.

Middle English hoveren, to-remain-suspended. As a color modifier, hover implies a suspended-and-floating-and-hesitant quality, the visual register of kestrel-and-hummingbird-hover hand-suspended-and-floating-and-hesitant kestrel-and-hummingbird-and-dragonfly hovered-and-suspended-and-floating-and-hesitant surfaces under kestrel-and-hummingbird-and-dragonfly heat-shimmer-and-summer-meadow-and-cliff-edge mid-air-light. Sits at the modifier-and-mood end of the grid, parallel to float and flit in usage.

The hydrated copper-aluminum phosphate mined in Persia and the American Southwest for thousands of years — the firuze of Iran, the chalchihuitl of Mesoamerica, the heart of Pueblo and Navajo silverwork. The color refers to a fine Sleeping Beauty turquoise from Arizona: a saturated, slightly green-shifted blue with the slight matrix of host-rock veining. Brighter than persian, lighter than cerulean.