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Sonorous Oxford

#3453dc
Notes

Sonorous Oxford (#3453DC) is a true blue with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (229°, 71%, 53%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#3453dc
RGB
rgb(52, 83, 220)
HSL
hsl(229, 71%, 53%)
HWB
hwb(229 20% 14%)
OKLCH
oklch(50.9% 0.211 267.9)
P3
color(display-p3 0.2310 0.3223 0.8314)
HSV
hsv(229, 76%, 86%)
LAB
lab(41.35% 36.85 -73.01)
LCH
lch(41.35% 81.78 296.78)
CMYK
cmyk(76%, 62%, 0%, 14%)

Etymology

Sonorous
adjective

Latin sonōrus, resounding — derived from sonus (sound). As a color modifier, sonorous implies a saturated-and-richly-vibrating quality where the hue carries the deep-resonance visual register of a cathedral-organ-pipe low-note. Sits at the bold-and-resonant end of the grid, parallel to resonant and deep in usage.

Oxford
noun

The athletic blue of the University of Oxford — adopted alongside Cambridge's lighter blue in the 1820s, when the two universities first began racing crews against each other on the Thames. The color refers to an Oxford-blue rowing jersey: a saturated, slightly muted deep blue with the matte finish of melton wool. Deeper than navy, cooler than royal, with the rivalrous heraldic weight of a color paired with its institutional opposite.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#3453dc
Original
#006ae0
Protanopia
#005ad9
Deuteranopia
#007790
Tritanopia
#565656
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.15:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.42:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##3453DC
Display P3
Display P3
color(display-p3 0.2310 0.3223 0.8314)
P3 has visible headroomOKLCH chroma 0.211

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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