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Stripped Sparta Verdigris

#33a49f
Notes

Stripped Sparta Verdigris (#33A49F) is a true cyan with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (177°, 53%, 42%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#33a49f
RGB
rgb(51, 164, 159)
HSL
hsl(177, 53%, 42%)
HWB
hwb(177 20% 36%)
OKLCH
oklch(65.6% 0.099 190.7)
P3
color(display-p3 0.3374 0.6343 0.6206)
HSV
hsv(177, 69%, 64%)
LAB
lab(61.44% -32.03 -6.59)
LCH
lch(61.44% 32.70 191.62)
CMYK
cmyk(69%, 0%, 3%, 36%)

Etymology

Stripped
adjective

Old English stripian, to strip — past-participle of strip. As a color modifier, stripped implies a clear-and-bared-and-unornamented quality, the crisp color of Cistercian-and-Bauhaus anti-ornamental stripped-down architectural interior. Sits at the crisp-and-stripped end of the grid, parallel to spare and bare in usage.

Sparta
modifier

Greek Σπάρτη, Sparta. As a color modifier, sparta implies a Lacedaemonian-and-warrior-city-state quality, the visual register of Spartan-Lacedaemonian-City-State hand-built bronze-armor-and-crimson-tunic-and-stone-temple Doric-warrior-state surfaces under Lacedaemonian-Sparta-and-Eurotas-Valley Doric-warrior-state Greek-Peloponnese light. Sits at the modifier-and-cultural end of the grid, parallel to athens and roman in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#33a49f
Original
#9a9b9f
Protanopia
#8a8fa0
Deuteranopia
#00a8a2
Tritanopia
#8c8c8c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.02:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.95:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##33A49F
Display P3
Display P3
color(display-p3 0.3374 0.6343 0.6206)
P3 has subtle headroomOKLCH chroma 0.099

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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