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Smoldering Lovage Forest

#328b28
Notes

Smoldering Lovage Forest (#328B28) is a true green with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (114°, 55%, 35%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary violet. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#328b28
RGB
rgb(50, 139, 40)
HSL
hsl(114, 55%, 35%)
HWB
hwb(114 16% 45%)
OKLCH
oklch(56.3% 0.159 141.7)
P3
color(display-p3 0.2976 0.5378 0.2167)
HSV
hsv(114, 71%, 55%)
LAB
lab(51.03% -45.78 43.22)
LCH
lch(51.03% 62.96 136.65)
CMYK
cmyk(64%, 0%, 71%, 45%)

Etymology

Smoldering
adjective

The progressive participle of smolder, to burn slowly without flame. Used as a color word since the late nineteenth century for the deep reds and oranges of barely-flame coal — the warm saturated darks where the heat is internal rather than emitted. Sits in the bold-and-warm corner, slightly less luminous than burning and slightly less calm than rich.

Lovage
modifier

Latin levisticum, medieval-physic-garden-herb. As a color modifier, lovage implies a medieval-physic-garden-and-celery-leaf quality, the visual register of medieval-physic-garden-and-Cluniac-lovage hand-medieval-physic-garden-and-celery-leaf medieval-physic-garden-and-Cluniac-lovage-and-Benedictine-Saint-Gall lovage-and-medieval-physic-garden-and-celery-leaf surfaces under medieval-physic-garden-and-Cluniac-lovage-and-Benedictine-Saint-Gall Cluny-and-Saint-Gall-physic-garden medieval-monastic-light. Sits at the modifier-and-flavor end of the grid, parallel to savory and catnip in usage.

Forest
noun

The dense canopy of a temperate or tropical woodland — oak, beech, pine, eucalyptus, mahogany — wherever leaves close above to filter the light below. Forest green refers to the average reflectance of a healthy mid-summer canopy seen from below: a saturated, slightly muted green with the matte finish of layered chlorophyll. Deeper than fern, cooler than olive, with the ecological weight of a word that has named every wooded biome on Earth.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#328b28
Original
#8e7e19
Protanopia
#847731
Deuteranopia
#238777
Tritanopia
#717171
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.32:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.86:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##328B28
Display P3
Display P3
color(display-p3 0.2976 0.5378 0.2167)
P3 has subtle headroomOKLCH chroma 0.159

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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