Plain Horus Verdigris

Latin planus, flat, level — used as a color modifier since the medieval period for hues that read as undecorated and direct. Plain white, plain blue: moderate saturation, no shift, no surface effect. Sits in the crisp-bucket center, with the implication of restraint rather than absence.

Egyptian Heru, falcon-headed-sky-god. As a color modifier, horus implies a falcon-headed-and-Eye-of-Horus quality, the visual register of Egyptian-Horus-and-Edfu-temple hand-falcon-headed-and-Eye-of-Horus Egyptian-Horus-and-Edfu-temple-and-falcon-pharaoh horus-and-falcon-headed-and-Eye-of-Horus surfaces under Egyptian-Horus-and-Edfu-temple-and-falcon-pharaoh Edfu-Aswan-temple-and-falcon-throne falcon-eye-light. Sits at the modifier-and-myth end of the grid, parallel to isis and thoth in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.