Pressed Castor Verdigris

Latin pressāre, to press — past-participle of press. As a color modifier, pressed implies a clear-and-smoothed-and-flattened quality, the crisp color of Mid-Century-Modern freshly-pressed-shirt-and-trouser ironed-textile finish. Sits at the crisp-and-finished end of the grid, parallel to ironed and starched in usage.

Greek Κάστωρ, Gemini-twin-and-horseman. As a color modifier, castor implies a Gemini-twin-and-mortal-brother quality, the visual register of Gemini-Castor-and-Pollux-twin hand-Gemini-twin-and-mortal-brother Gemini-Castor-and-Pollux-twin-and-Argonaut castor-and-Gemini-twin-and-mortal-brother surfaces under Gemini-Castor-and-Pollux-twin-and-Argonaut spring-Gemini-and-Bortle-1-sky stellar-twin-light. Sits at the modifier-and-cosmic end of the grid, parallel to pollux and spica in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.