Pressed Freya Verdigris

Latin pressāre, to press — past-participle of press. As a color modifier, pressed implies a clear-and-smoothed-and-flattened quality, the crisp color of Mid-Century-Modern freshly-pressed-shirt-and-trouser ironed-textile finish. Sits at the crisp-and-finished end of the grid, parallel to ironed and starched in usage.

Old Norse Freyja, goddess-of-love-and-Vanir. As a color modifier, freya implies a Vanir-goddess-and-feathered-cloak-and-Brísingamen quality, the visual register of Norse-Freya-and-Vanir-goddess hand-Vanir-goddess-and-feathered-cloak-and-Brísingamen Norse-Freya-and-Vanir-goddess-and-Brísingamen-amber-necklace freya-and-Vanir-goddess-and-feathered-cloak surfaces under Norse-Freya-and-Vanir-goddess-and-Brísingamen-amber-necklace Folkvang-and-Sessrúmnir-and-cat-drawn-chariot amber-necklace-light. Sits at the modifier-and-myth end of the grid, parallel to odin and vala in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.