Hygienic Zeus Verdigris

Greek hygieinós, healthful — derived from Hygieia (goddess of health). As a color modifier, hygienic implies a clear-and-medical-clean quality, the crisp color of Mid-Century-Modern clinical-and-hospital interior-architecture surfaces. Sits at the crisp-and-clean end of the grid, parallel to sanitary and sterile in usage.

Greek Ζεύς, king-of-the-Olympian-gods. As a color modifier, zeus implies a thunderbolt-and-king-of-gods-and-Olympian quality, the visual register of Olympian-Zeus-and-Phidias-Pheidias-statue hand-thunderbolt-and-king-of-gods-and-Olympian Olympian-Zeus-and-Phidias-statue-and-Mount-Olympus zeus-and-thunderbolt-and-king-of-gods-and-Olympian surfaces under Olympian-Zeus-and-Phidias-statue-and-Mount-Olympus Pheidias-chryselephantine-and-Olympia thunder-cloud-light. Sits at the modifier-and-myth end of the grid, parallel to hera and atlas in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.