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Surveyed Venus Teal

#308586
Notes

Surveyed Venus Teal (#308586) is a true cyan with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (181°, 47%, 36%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#308586
RGB
rgb(48, 133, 134)
HSL
hsl(181, 47%, 36%)
HWB
hwb(181 19% 47%)
OKLCH
oklch(56.7% 0.080 196.2)
P3
color(display-p3 0.2848 0.5145 0.5216)
HSV
hsv(181, 64%, 53%)
LAB
lab(50.83% -24.59 -8.07)
LCH
lch(50.83% 25.88 198.16)
CMYK
cmyk(64%, 1%, 0%, 47%)

Etymology

Surveyed
adjective

Old French surveer, to look upon — past-participle of survey. As a color modifier, surveyed implies a clear-and-measured-and-coordinated quality, the crisp color of Mason-Dixon-Line-and-Royal-Navy-Hydrographic scientific-and-cadastral land-and-sea surveying tradition. Sits at the crisp-and-mapped end of the grid, parallel to mapped and plotted in usage.

Venus
modifier

Latin Venus, Roman-goddess-and-second-planet. As a color modifier, venus implies a Roman-goddess-and-second-planet-and-morning-evening-star quality, the visual register of Botticelli-Birth-of-Venus-and-Pompeii-fresco hand-Roman-goddess-and-second-planet-and-morning-evening-star Botticelli-Birth-of-Venus-and-Pompeii-fresco-and-Aphrodite-Hellenic venus-and-Roman-goddess-and-second-planet surfaces under Botticelli-Birth-of-Venus-and-Pompeii-fresco-and-Aphrodite-Hellenic Florentine-and-Pompeian dawn-and-dusk-evening-star-light. Sits at the modifier-and-zodiac end of the grid, parallel to jupiter and saturn in usage.

Teal
noun

Anas crecca, the small dabbling duck whose male in breeding plumage sports a chestnut head crossed by a glossy green-blue stripe. The color refers to that stripe — the iridescent panel just behind the eye: a saturated, slightly muted blue-green with the optical depth of structural color rather than pigment. Cooler than cypress, warmer than cerulean, with the ornithological specificity of a color named for one feather of one bird.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#308586
Original
#7c7f86
Protanopia
#6f7587
Deuteranopia
#008985
Tritanopia
#737373
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.35:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.82:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##308586
Display P3
Display P3
color(display-p3 0.2848 0.5145 0.5216)
Inside sRGBOKLCH chroma 0.080

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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