Buried Faun Midnight

Old English byrgan, to inter — past-participle of bury. As a color modifier, buried implies the deep-shrouded darkness of a sealed-and-covered hue, where surface qualities are obscured by intervening material. Sits at the deep-and-obscured end of the grid, parallel to cloaked and entombed.

Latin Faunus, Roman-half-goat-rural-deity. As a color modifier, faun implies a half-goat-and-pastoral-and-Arcadian quality, the visual register of Roman-Faunus-and-Arcadian-pastoral-faun hand-half-goat-and-pastoral-and-Arcadian Roman-Faunus-and-Arcadian-pastoral-faun-and-Pan faun-and-half-goat-and-pastoral-and-Arcadian surfaces under Roman-Faunus-and-Arcadian-pastoral-faun-and-Pan Lupercalia-and-Arcadia-and-pipes-of-Pan pastoral-Arcadian-light. Sits at the modifier-and-myth end of the grid, parallel to satyr and dryad in usage.

The color of the sky at midnight on a clear, moonless night, far from city lights — almost black, but with a slight blue cast where star-scattered light reaches the eye. The color refers to that exact moment: a very deep, slightly violet-shifted near-black blue with the optical depth of a sky stripped of every direct light source. Deeper than navy, warmer than ink, with the temporal weight of a name that is a precise hour as well as a color.