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Unblemished Avalon Turquoise

#2fd7cf
Notes

Unblemished Avalon Turquoise (#2FD7CF) is a true cyan with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (177°, 68%, 51%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#2fd7cf
RGB
rgb(47, 215, 207)
HSL
hsl(177, 68%, 51%)
HWB
hwb(177 18% 16%)
OKLCH
oklch(79.7% 0.130 189.9)
P3
color(display-p3 0.4155 0.8311 0.8082)
HSV
hsv(177, 78%, 84%)
LAB
lab(78.29% -42.23 -7.92)
LCH
lch(78.29% 42.97 190.63)
CMYK
cmyk(78%, 0%, 4%, 16%)

Etymology

Unblemished
adjective

Old French blesmir, to wound — negative-prefix un- plus past-participle of blemish. As a color modifier, unblemished implies a clear-and-flawless quality where the hue carries no defect or imperfection. Sits at the crisp-and-clean end of the grid, parallel to pristine and spotless in usage.

Avalon
modifier

Old Welsh Afallon, island-of-apples-Arthurian-otherworld. As a color modifier, avalon implies an Arthurian-otherworld-and-island-of-apples quality, the visual register of Arthurian-Avalon-and-Glastonbury-Tor hand-Arthurian-otherworld-and-island-of-apples Arthurian-Avalon-and-Glastonbury-Tor-and-Morgan-le-Fay avalon-and-Arthurian-otherworld surfaces under Arthurian-Avalon-and-Glastonbury-Tor-and-Morgan-le-Fay Glastonbury-Tor-and-Somerset-Levels misty-otherworld-light. Sits at the modifier-and-myth end of the grid, parallel to eden and helen in usage.

Turquoise
noun

The hydrated copper-aluminum phosphate mined in Persia and the American Southwest for thousands of years — the firuze of Iran, the chalchihuitl of Mesoamerica, the heart of Pueblo and Navajo silverwork. The color refers to a fine Sleeping Beauty turquoise from Arizona: a saturated, slightly green-shifted blue with the slight matrix of host-rock veining. Brighter than persian, lighter than cerulean.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#2fd7cf
Original
#cacbcf
Protanopia
#b3bbd0
Deuteranopia
#00ddd4
Tritanopia
#b3b3b3
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.79:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
11.74:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##2FD7CF
Display P3
Display P3
color(display-p3 0.4155 0.8311 0.8082)
P3 has subtle headroomOKLCH chroma 0.130

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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