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Methodical Kimono Lagoon

#2fb0cb
Notes

Methodical Kimono Lagoon (#2FB0CB) is a true cyan with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (190°, 62%, 49%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#2fb0cb
RGB
rgb(47, 176, 203)
HSL
hsl(190, 62%, 49%)
HWB
hwb(190 18% 20%)
OKLCH
oklch(70.1% 0.113 215.5)
P3
color(display-p3 0.3500 0.6805 0.7832)
HSV
hsv(190, 77%, 80%)
LAB
lab(66.49% -24.98 -23.53)
LCH
lch(66.49% 34.31 223.29)
CMYK
cmyk(77%, 13%, 0%, 20%)

Etymology

Methodical
adjective

Greek méthodos, systematic-procedure — adjectival suffix -al. As a color modifier, methodical implies a clear-and-systematic-and-step-by-step quality where the hue carries the visual register of careful-procedure-followed design-element. Sits at the crisp-and-orderly end of the grid, parallel to orderly and organized in usage.

Kimono
modifier

Japanese kimono, thing-to-wear. As a color modifier, kimono implies a Japanese-kimono-and-furisode-and-tomesode quality, the visual register of Edo-and-Heian-kimono-and-furisode hand-Japanese-kimono-and-furisode-and-tomesode Edo-and-Heian-kimono-and-furisode-and-Kyoto-Nishijin kimono-and-Japanese-kimono-and-furisode surfaces under Edo-and-Heian-kimono-and-furisode-and-Kyoto-Nishijin Heian-Kyoto-and-Edo-Tokugawa Japanese-court-light. Sits at the modifier-and-textile end of the grid, parallel to haori and sari in usage.

Lagoon
noun

A shallow body of saltwater partially or fully enclosed by a barrier — coral atoll lagoons in the Pacific, Venice's Laguna Veneta, the Florida Keys' backcountry. The color refers to the average reflectance of a calm tropical lagoon at midday: a saturated, slightly muted blue-green with the optical clarity of shallow water over white sand. Brighter than reef, cooler than aquamarine, with the postcard weight of a Pacific atoll seen from above.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#2fb0cb
Original
#9daacd
Protanopia
#889bcb
Deuteranopia
#00bab8
Tritanopia
#979797
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.56:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
8.19:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##2FB0CB
Display P3
Display P3
color(display-p3 0.3500 0.6805 0.7832)
P3 has subtle headroomOKLCH chroma 0.113

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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