Cleansed Ventus Verdigris

Old English clǣnsian, to make clean — past-participle of cleanse. As a color modifier, cleansed implies a clear-and-purified quality where the hue has been stripped of any contaminating tint. Sits at the crisp-and-clear end of the grid, parallel to fresh and pristine in usage.

Latin ventus, wind. As a color modifier, ventus implies a Latin-wind-and-Roman-Aeolus-wind quality, the visual register of Roman-Aeolus-and-Anemoi-ventus hand-Latin-wind-and-Roman-Aeolus-wind Roman-Aeolus-and-Anemoi-ventus-and-Boreas-Notus-Eurus-Zephyrus ventus-and-Latin-wind surfaces under Roman-Aeolus-and-Anemoi-ventus-and-Boreas-Notus-Eurus-Zephyrus Aeolian-and-Vergilian-pastoral Roman-wind-light. Sits at the modifier-and-Latin end of the grid, parallel to ignis and unda in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.