Velvety Blithe Forest

An adjectival form of velvet, used since the eighteenth century for colors that read as if they had the matte light-absorbing quality of velvet. Implies high saturation combined with a non-glossy surface — the matte richness of a deep wine in a fabric rather than in a glass. Sits in the bold-and-deep corner of the grid alongside plush and lush.

Old English blīthe, joyful-and-kind. As a color modifier, blithe implies a carefree-and-light-hearted-and-cheerful quality, the visual register of Shakespearean-pastoral-and-Forest-of-Arden-blithe hand-carefree-and-light-hearted-and-cheerful Shakespearean-pastoral-and-Forest-of-Arden-and-As-You-Like-It blithe-and-carefree-and-light-hearted-and-cheerful surfaces under Shakespearean-pastoral-and-Forest-of-Arden-and-As-You-Like-It English-greenwood-and-shepherd's-meadow Maytime-light. Sits at the modifier-and-mood end of the grid, parallel to merry and jolly in usage.

The dense canopy of a temperate or tropical woodland — oak, beech, pine, eucalyptus, mahogany — wherever leaves close above to filter the light below. Forest green refers to the average reflectance of a healthy mid-summer canopy seen from below: a saturated, slightly muted green with the matte finish of layered chlorophyll. Deeper than fern, cooler than olive, with the ecological weight of a word that has named every wooded biome on Earth.