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Workmanlike Tao Verdigris

#2f7d6d
Notes

Workmanlike Tao Verdigris (#2F7D6D) is a deep teal with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (168°, 45%, 34%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#2f7d6d
RGB
rgb(47, 125, 109)
HSL
hsl(168, 45%, 34%)
HWB
hwb(168 18% 51%)
OKLCH
oklch(53.7% 0.080 177.2)
P3
color(display-p3 0.2712 0.4836 0.4296)
HSV
hsv(168, 62%, 49%)
LAB
lab(47.46% -27.94 1.66)
LCH
lch(47.46% 27.99 176.61)
CMYK
cmyk(62%, 0%, 13%, 51%)

Etymology

Workmanlike
adjective

Old English weorcmann, workman — adjectival suffix -like. As a color modifier, workmanlike implies a clear-and-skilled-and-honest quality where the hue carries the visual register of journeyman-craftsman careful-and-competent hand-built craft. Sits at the crisp-and-functional end of the grid, parallel to functional and practical in usage.

Tao
modifier

Chinese 道, the-Way. As a color modifier, tao implies a Daoist-and-naturalistic quality, the visual register of Chinese-Daoist-Wǔdāng-Mountain Daoist hand-built rock-and-pine-tree-and-incense-burner mountain-temple surfaces under Wǔdāng-Mountain-and-Mount-Hua Daoist-mountain-temple mist-and-pine light. Sits at the modifier-and-cultural end of the grid, parallel to zen and sufi in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#2f7d6d
Original
#78766c
Protanopia
#6d6d6e
Deuteranopia
#007f78
Tritanopia
#6b6b6b
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.91:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.28:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##2F7D6D
Display P3
Display P3
color(display-p3 0.2712 0.4836 0.4296)
P3 has subtle headroomOKLCH chroma 0.080

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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