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Frank Caper Lazuli

#2f67a4
Notes

Frank Caper Lazuli (#2F67A4) is a true azure with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (211°, 55%, 41%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary orange. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#2f67a4
RGB
rgb(47, 103, 164)
HSL
hsl(211, 55%, 41%)
HWB
hwb(211 18% 36%)
OKLCH
oklch(50.7% 0.114 252.7)
P3
color(display-p3 0.2413 0.3989 0.6248)
HSV
hsv(211, 71%, 64%)
LAB
lab(42.74% 2.57 -38.23)
LCH
lch(42.74% 38.32 273.85)
CMYK
cmyk(71%, 37%, 0%, 36%)

Etymology

Frank
adjective

From the Old French franc, free, sincere — used as a color modifier since the seventeenth century for hues that read as direct and unhedged. Frank red, frank brown: moderate-to-high saturation combined with optical directness. Sits at the crisp-bucket alongside direct and honest.

Caper
modifier

Greek κάππαρις, Mediterranean-pickled-bud. As a color modifier, caper implies a Mediterranean-pickled-bud-and-briny-tang quality, the visual register of Pantelleria-and-Sicilian-caper hand-Mediterranean-pickled-bud-and-briny-tang Pantelleria-and-Sicilian-caper-and-Aeolian-Islands caper-and-Mediterranean-pickled-bud surfaces under Pantelleria-and-Sicilian-caper-and-Aeolian-Islands Pantelleria-and-Aeolian-and-Sicilian Mediterranean-brine-light. Sits at the modifier-and-flavor end of the grid, parallel to anise and tang in usage.

Lazuli
noun

Passerina amoena, the lazuli bunting — a North American songbird whose males display saturated deep-blue plumage with white wing bars and chestnut breasts. Named for the gemstone (lapis lazuli) the bird's plumage resembles. The color refers to a male lazuli bunting in breeding plumage: a saturated, slightly cool deep blue.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#2f67a4
Original
#4b6ba7
Protanopia
#3a60a3
Deuteranopia
#00757d
Tritanopia
#5f5f5f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.84:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.60:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##2F67A4
Display P3
Display P3
color(display-p3 0.2413 0.3989 0.6248)
P3 has subtle headroomOKLCH chroma 0.114

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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