colors
Back to gallery

Conquering Modré

#2f62c0
Notes

Conquering Modré (#2F62C0) is a true azure with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (219°, 61%, 47%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#2f62c0
RGB
rgb(47, 98, 192)
HSL
hsl(219, 61%, 47%)
HWB
hwb(219 18% 25%)
OKLCH
oklch(51.4% 0.158 261.3)
P3
color(display-p3 0.2350 0.3796 0.7282)
HSV
hsv(219, 76%, 75%)
LAB
lab(42.98% 16.29 -54.24)
LCH
lch(42.98% 56.64 286.71)
CMYK
cmyk(76%, 49%, 0%, 25%)

Etymology

Conquering
adjective

Latin conquīrere, to seek thoroughly — present-participle of conquer. As a color modifier, conquering implies a saturated-and-overwhelming-and-victorious quality where the hue overcomes neighboring colors through pure pigmentation strength. Sits at the bold-and-celebratory end of the grid, parallel to triumphant and dominant.

Modré
noun

The Czech word for blue — used for the saturated deep blue of Czech traditional Modrotisk (blue-print) folk-textile resist-dyeing. Modré covers the entire blue spectrum in Czech color vocabulary. The color refers to a freshly Modrotisk-printed cotton: a saturated, slightly cool deep blue with the matte finish of plant-dyed-resist-printed cotton.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#2f62c0
Original
#2c6dc3
Protanopia
#005fbe
Deuteranopia
#007888
Tritanopia
#5e5e5e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.79:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.63:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##2F62C0
Display P3
Display P3
color(display-p3 0.2350 0.3796 0.7282)
P3 has subtle headroomOKLCH chroma 0.158

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas