Lush Caraway Cobalt

Middle English lush, possibly from lascious, lascivious — a word that drifted from sensual ripeness toward visual abundance. Used as a color word since the eighteenth century for the saturated greens of well-watered foliage and the deep saturated jewel tones of velvet upholstery. Used across the deep and bold buckets where the hue is simultaneously dark and vivid.

Arabic al-karawiyā, aromatic-rye-bread-seed. As a color modifier, caraway implies an aromatic-rye-bread-and-Central-European-seed quality, the visual register of Bavarian-and-Central-European-caraway hand-aromatic-rye-bread-and-Central-European-seed Bavarian-and-Central-European-caraway-and-Czech-and-Hungarian-rye caraway-and-aromatic-rye-bread surfaces under Bavarian-and-Central-European-caraway-and-Czech-and-Hungarian-rye Bavaria-and-Bohemia-and-Hungary Central-European-rye-light. Sits at the modifier-and-flavor end of the grid, parallel to cumin and anise in usage.

Element Co, atomic number 27 — German Kobold, goblin, named by miners who found the metal interfered with smelting silver ore. Cobalt blue is the cobalt-aluminate pigment introduced by Louis Jacques Thénard in 1802: a saturated, slightly green-shifted deep blue with the matte finish of mineral pigment in oil. Cooler than ultramarine, warmer than prussian, with the painter's weight of a pigment used by Renoir, Van Gogh, and Cézanne.