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Booming Cobalt

#2f52c7
Notes

Booming Cobalt (#2F52C7) is a true blue with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (226°, 62%, 48%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#2f52c7
RGB
rgb(47, 82, 199)
HSL
hsl(226, 62%, 48%)
HWB
hwb(226 18% 22%)
OKLCH
oklch(48.7% 0.187 266.5)
P3
color(display-p3 0.2161 0.3181 0.7526)
HSV
hsv(226, 76%, 78%)
LAB
lab(39.17% 29.31 -64.47)
LCH
lch(39.17% 70.82 294.45)
CMYK
cmyk(76%, 59%, 0%, 22%)

Etymology

Booming
adjective

Imitative-onomatopoeic origin — present-participle of boom, sharing root with Dutch bommen. As a color modifier, booming implies a saturated-and-loud-and-confident quality where the hue announces itself with full visual amplitude. Sits at the bold-and-resonant end of the grid, parallel to resounding and thunderous.

Cobalt
noun

Element Co, atomic number 27 — German Kobold, goblin, named by miners who found the metal interfered with smelting silver ore. Cobalt blue is the cobalt-aluminate pigment introduced by Louis Jacques Thénard in 1802: a saturated, slightly green-shifted deep blue with the matte finish of mineral pigment in oil. Cooler than ultramarine, warmer than prussian, with the painter's weight of a pigment used by Renoir, Van Gogh, and Cézanne.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#2f52c7
Original
#0064cb
Protanopia
#0055c5
Deuteranopia
#007084
Tritanopia
#535353
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.66:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.15:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##2F52C7
Display P3
Display P3
color(display-p3 0.2161 0.3181 0.7526)
P3 has visible headroomOKLCH chroma 0.187

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

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