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Fresh Sari Verdigris

#2eafab
Notes

Fresh Sari Verdigris (#2EAFAB) is a true cyan with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (178°, 58%, 43%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#2eafab
RGB
rgb(46, 175, 171)
HSL
hsl(178, 58%, 43%)
HWB
hwb(178 18% 31%)
OKLCH
oklch(68.6% 0.107 191.8)
P3
color(display-p3 0.3468 0.6766 0.6669)
HSV
hsv(178, 74%, 69%)
LAB
lab(65.10% -34.42 -7.88)
LCH
lch(65.10% 35.31 192.89)
CMYK
cmyk(74%, 0%, 2%, 31%)

Etymology

Fresh
adjective

Old English fersc, unsalted / not stale — sharing root with German frisch. As a color modifier, fresh implies a clear-and-newly-applied quality where the hue carries the just-emerged visual register. Sits at the crisp-and-clean end of the grid, parallel to crisp and new in usage.

Sari
modifier

Sanskrit śāṭī, long-draped-cloth. As a color modifier, sari implies an Indian-sari-and-Banarasi-and-Kanjeevaram-silk quality, the visual register of Banarasi-and-Kanjeevaram-sari hand-Indian-sari-and-Banarasi-and-Kanjeevaram-silk Banarasi-and-Kanjeevaram-sari-and-Mysore-and-Bengal-cotton sari-and-Indian-sari surfaces under Banarasi-and-Kanjeevaram-sari-and-Mysore-and-Bengal-cotton Varanasi-and-Kanjeevaram-and-Mysore-loom Indian-loom-light. Sits at the modifier-and-textile end of the grid, parallel to kimono and haori in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#2eafab
Original
#a4a6ab
Protanopia
#9298ac
Deuteranopia
#00b4ad
Tritanopia
#939393
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.68:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
7.84:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##2EAFAB
Display P3
Display P3
color(display-p3 0.3468 0.6766 0.6669)
P3 has subtle headroomOKLCH chroma 0.107

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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