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Polished Juno Verdigris

#2e894c
Notes

Polished Juno Verdigris (#2E894C) is a true green with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (140°, 50%, 36%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary magenta. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#2e894c
RGB
rgb(46, 137, 76)
HSL
hsl(140, 50%, 36%)
HWB
hwb(140 18% 46%)
OKLCH
oklch(56.1% 0.127 150.9)
P3
color(display-p3 0.2868 0.5299 0.3216)
HSV
hsv(140, 66%, 54%)
LAB
lab(50.68% -41.00 25.02)
LCH
lch(50.68% 48.03 148.61)
CMYK
cmyk(66%, 0%, 45%, 46%)

Etymology

Polished
adjective

Latin polīre, to polish — past-participle of polish. As a color modifier, polished implies a clear-and-smooth-and-glossy quality where the hue carries the visual register of buffed-and-burnished smooth-finish surface. Sits at the crisp-and-finished end of the grid, parallel to burnished and gleaming in usage.

Juno
modifier

Latin Juno, Roman-queen-of-gods. As a color modifier, juno implies an asteroid-and-queen-of-gods quality, the visual register of Juno-asteroid-and-Roman-queen hand-asteroid-and-queen-of-gods Juno-asteroid-and-Roman-queen-and-Jupiter-mission juno-and-asteroid-and-queen-of-gods surfaces under Juno-asteroid-and-Roman-queen-and-Jupiter-mission asteroid-belt-and-Roman-temple ancient-pantheon-light. Sits at the modifier-and-cosmic end of the grid, parallel to ceres and vesta in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#2e894c
Original
#8a7e47
Protanopia
#7e7550
Deuteranopia
#07877a
Tritanopia
#717171
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.38:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.80:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##2E894C
Display P3
Display P3
color(display-p3 0.2868 0.5299 0.3216)
P3 has subtle headroomOKLCH chroma 0.127

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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