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Settled Sari Teal

#2e8589
Notes

Settled Sari Teal (#2E8589) is a true cyan with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (183°, 50%, 36%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#2e8589
RGB
rgb(46, 133, 137)
HSL
hsl(183, 50%, 36%)
HWB
hwb(183 18% 46%)
OKLCH
oklch(56.7% 0.081 199.5)
P3
color(display-p3 0.2808 0.5145 0.5324)
HSV
hsv(183, 66%, 54%)
LAB
lab(50.87% -24.02 -9.76)
LCH
lch(50.87% 25.93 202.11)
CMYK
cmyk(66%, 3%, 0%, 46%)

Etymology

Settled
adjective

The past participle of settle, to come to rest — used as a color modifier since the seventeenth century for hues that read as stabilized after a process. Settled green, settled brown: moderate saturation combined with optical permanence. Sits at the crisp-bucket alongside steady and composed.

Sari
modifier

Sanskrit śāṭī, long-draped-cloth. As a color modifier, sari implies an Indian-sari-and-Banarasi-and-Kanjeevaram-silk quality, the visual register of Banarasi-and-Kanjeevaram-sari hand-Indian-sari-and-Banarasi-and-Kanjeevaram-silk Banarasi-and-Kanjeevaram-sari-and-Mysore-and-Bengal-cotton sari-and-Indian-sari surfaces under Banarasi-and-Kanjeevaram-sari-and-Mysore-and-Bengal-cotton Varanasi-and-Kanjeevaram-and-Mysore-loom Indian-loom-light. Sits at the modifier-and-textile end of the grid, parallel to kimono and haori in usage.

Teal
noun

Anas crecca, the small dabbling duck whose male in breeding plumage sports a chestnut head crossed by a glossy green-blue stripe. The color refers to that stripe — the iridescent panel just behind the eye: a saturated, slightly muted blue-green with the optical depth of structural color rather than pigment. Cooler than cypress, warmer than cerulean, with the ornithological specificity of a color named for one feather of one bird.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#2e8589
Original
#7b7f89
Protanopia
#6e7589
Deuteranopia
#008a86
Tritanopia
#737373
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.35:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.83:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##2E8589
Display P3
Display P3
color(display-p3 0.2808 0.5145 0.5324)
P3 has subtle headroomOKLCH chroma 0.081

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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