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Hospitable Amor Verdigris

#2db0af
Notes

Hospitable Amor Verdigris (#2DB0AF) is a true cyan with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (180°, 59%, 43%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#2db0af
RGB
rgb(45, 176, 175)
HSL
hsl(180, 59%, 43%)
HWB
hwb(180 18% 31%)
OKLCH
oklch(69.0% 0.108 194.2)
P3
color(display-p3 0.3469 0.6804 0.6816)
HSV
hsv(180, 74%, 69%)
LAB
lab(65.52% -33.84 -9.49)
LCH
lch(65.52% 35.14 195.67)
CMYK
cmyk(74%, 0%, 1%, 31%)

Etymology

Hospitable
adjective

Latin hospitābilis, of-the-host — adjectival suffix -able. As a color modifier, hospitable implies a clear-and-cordial-and-welcoming quality where the hue carries the visual register of Bed-and-Breakfast and country-inn warm-cordial-host atmosphere. Sits at the crisp-and-cheerful end of the grid, parallel to welcoming and inviting in usage.

Amor
modifier

Latin amor, love. As a color modifier, amor implies a Latin-love-and-amor-vincit-omnia quality, the visual register of Vergilian-amor-and-Catullus-amor hand-Latin-love-and-amor-vincit-omnia Vergilian-amor-and-Catullus-amor-and-Ovid-Ars-Amatoria amor-and-Latin-love surfaces under Vergilian-amor-and-Catullus-amor-and-Ovid-Ars-Amatoria Augustan-Rome-and-Renaissance-Italy Roman-love-light. Sits at the modifier-and-Latin end of the grid, parallel to vita and via in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#2db0af
Original
#a4a7af
Protanopia
#9299b0
Deuteranopia
#00b6af
Tritanopia
#949494
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.64:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
7.94:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##2DB0AF
Display P3
Display P3
color(display-p3 0.3469 0.6804 0.6816)
P3 has subtle headroomOKLCH chroma 0.108

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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