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Ironclad Tsuyukusa

#2d4bd5
Notes

Ironclad Tsuyukusa (#2D4BD5) is a true blue with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (229°, 67%, 51%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#2d4bd5
RGB
rgb(45, 75, 213)
HSL
hsl(229, 67%, 51%)
HWB
hwb(229 18% 16%)
OKLCH
oklch(48.5% 0.213 267.6)
P3
color(display-p3 0.2031 0.2911 0.8044)
HSV
hsv(229, 79%, 84%)
LAB
lab(38.54% 38.71 -73.61)
LCH
lch(38.54% 83.17 297.74)
CMYK
cmyk(79%, 65%, 0%, 16%)

Etymology

Ironclad
adjective

English compound iron + clad — referring to the 19th-century USS-Monitor and CSS-Virginia iron-armored warships. As a color modifier, ironclad implies a saturated-and-armored-and-impenetrable quality where the hue carries the visual weight of forged-iron armor-plate. Sits at the bold-and-fortified end of the grid, parallel to fortified and armored.

Tsuyukusa
noun

Commelina communis, the Japanese dayflower — a wildflower whose deep blue flowers were used in the seventeenth century as a textile dye and aobana paper for yuzen dyeing patterns. Tsuyukusa-iro (露草色) refers to the saturated blue of fresh dayflower. The color refers to a fresh dayflower bloom: a saturated, slightly cool deep blue with the satin finish of three-petaled flower.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#2d4bd5
Original
#0063d9
Protanopia
#0053d2
Deuteranopia
#007089
Tritanopia
#4f4f4f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.82:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.08:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##2D4BD5
Display P3
Display P3
color(display-p3 0.2031 0.2911 0.8044)
P3 has visible headroomOKLCH chroma 0.213

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

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