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Heavy Clan Cobalt

#2d4089
Notes

Heavy Clan Cobalt (#2D4089) is a true blue with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (228°, 51%, 36%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#2d4089
RGB
rgb(45, 64, 137)
HSL
hsl(228, 51%, 36%)
HWB
hwb(228 18% 46%)
OKLCH
oklch(39.9% 0.124 269.1)
P3
color(display-p3 0.1921 0.2489 0.5189)
HSV
hsv(228, 67%, 54%)
LAB
lab(29.49% 17.71 -43.11)
LCH
lch(29.49% 46.61 292.34)
CMYK
cmyk(67%, 53%, 0%, 46%)

Etymology

Heavy
adjective

Old English hefig, weighty — cognate with heave. Used as a color modifier since at least the seventeenth century to indicate weight in saturation as much as value: heavy with pigment, heavy-bodied. In the engine's adjective grid, heavy sits alongside deep and plush in the dark-and-saturated quadrant. Closer to a fabric description than a pure value word.

Clan
modifier

Scottish-Gaelic clann, children / family. As a color modifier, clan implies a Highland-Scottish-kinship quality, the visual register of Scottish-Highland-Clan Highland-and-Lowland hand-woven tartan-and-kilt-and-broadsword clan-and-kinship surfaces under Highland-Scottish-clan tartan-and-kilt-and-pipe-band Highland-pasture light. Sits at the modifier-and-cultural end of the grid, parallel to tribe and kin in usage.

Cobalt
noun

Element Co, atomic number 27 — German Kobold, goblin, named by miners who found the metal interfered with smelting silver ore. Cobalt blue is the cobalt-aluminate pigment introduced by Louis Jacques Thénard in 1802: a saturated, slightly green-shifted deep blue with the matte finish of mineral pigment in oil. Cooler than ultramarine, warmer than prussian, with the painter's weight of a pigment used by Renoir, Van Gogh, and Cézanne.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#2d4089
Original
#134a8c
Protanopia
#004288
Deuteranopia
#00515e
Tritanopia
#414141
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
9.52:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.21:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##2D4089
Display P3
Display P3
color(display-p3 0.1921 0.2489 0.5189)
P3 has subtle headroomOKLCH chroma 0.124

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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