Velvet Bark Ultramarine

A short-pile woven fabric — silk, cotton, or rayon — whose densely packed vertical fibers absorb almost all incident light, producing a deeper black than the dye alone could give. The color refers to a black silk velvet: a deep, slightly muted black with the velvet's signature optical depth and the directional shading that distinguishes it from any flat fabric. Cooler than sable, deeper than ink.

Old Norse bǫrkr, bark. As a color modifier, bark implies a tree-bark-and-rough-and-cork quality, the visual register of birch-and-oak-and-cork-bark hand-stripped-and-cork-bark birch-and-oak-and-cork-tree-bark hand-stripped-tree-bark surfaces under birch-and-oak-and-cork-bark hand-stripped-bark forest light. Sits at the modifier-and-texture end of the grid, parallel to rough and cane in usage.

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.