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Radiant Shine Peridot

#2cc56d
Notes

Radiant Shine Peridot (#2CC56D) is a true teal with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (145°, 63%, 47%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary magenta. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#2cc56d
RGB
rgb(44, 197, 109)
HSL
hsl(145, 63%, 47%)
HWB
hwb(145 17% 23%)
OKLCH
oklch(72.7% 0.177 152.4)
P3
color(display-p3 0.3809 0.7615 0.4615)
HSV
hsv(145, 78%, 77%)
LAB
lab(70.57% -58.17 33.28)
LCH
lch(70.57% 67.02 150.23)
CMYK
cmyk(78%, 0%, 45%, 23%)

Etymology

Radiant
adjective

From the Latin radiare, to emit rays — used as a color word since the seventeenth century for hues that read as luminous and emitting. Radiant gold, radiant pink: the implication is high luminance combined with the optical impression of an outward light. Sits in the bright-bucket center alongside glowing.

Shine
modifier

Old English scīnan, to-shine. As a color modifier, shine implies a polished-and-reflective-light quality, the visual register of polished-silver-and-bronze-shine hand-polished-and-buffed silver-and-bronze-and-brass-and-tin polished-and-reflective-shine surfaces under polished-silver-and-bronze-shine workshop-light. Sits at the modifier-and-texture end of the grid, parallel to gloss and sleek in usage.

Peridot
noun

The transparent green variety of olivine — the gem mined from Egyptian Zabargad Island since pharaonic times and now from arid mountain ranges in Pakistan, Arizona, and Vietnam. The color refers to a faceted peridot: a clean, slightly yellow-shifted green with the gem's signature internal warmth. Lighter than emerald, brighter than olivine in its rough state, with the unusual gem-trade quality of being one of the few minerals that occurs in only one color.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#2cc56d
Original
#c5b466
Protanopia
#b4a873
Deuteranopia
#00c2b0
Tritanopia
#9e9e9e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.25:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
9.31:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##2CC56D
Display P3
Display P3
color(display-p3 0.3809 0.7615 0.4615)
P3 has subtle headroomOKLCH chroma 0.177

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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