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Anchored Orbit Forest

#2c8b2c
Notes

Anchored Orbit Forest (#2C8B2C) is a true green with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (120°, 52%, 36%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary violet. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#2c8b2c
RGB
rgb(44, 139, 44)
HSL
hsl(120, 52%, 36%)
HWB
hwb(120 17% 45%)
OKLCH
oklch(56.1% 0.159 143.1)
P3
color(display-p3 0.2861 0.5375 0.2267)
HSV
hsv(120, 68%, 55%)
LAB
lab(50.90% -46.74 41.32)
LCH
lch(50.90% 62.39 138.52)
CMYK
cmyk(68%, 0%, 68%, 45%)

Etymology

Anchored
adjective

The past participle of anchor, used since the late nineteenth century as a metaphor for secured in place. As a color word, anchored implies a deep saturated tone that grounds a palette — the dark blues, deep greens, and browns that hold a composition together. Sits in the bold-and-deep corner of the grid alongside solid.

Orbit
modifier

Latin orbita, track-or-wheel-rut. As a color modifier, orbit implies a Keplerian-ellipse-and-circling quality, the visual register of Keplerian-ellipse-and-Newton-Principia-orbit hand-Keplerian-ellipse-and-circling Keplerian-ellipse-and-Newton-Principia-and-Tycho-orbit orbit-and-Keplerian-ellipse-and-circling surfaces under Keplerian-ellipse-and-Newton-Principia-and-Tycho-orbit Royal-Society-and-celestial-mechanics 17th-century-observation-light. Sits at the modifier-and-cosmic end of the grid, parallel to axis and parsec in usage.

Forest
noun

The dense canopy of a temperate or tropical woodland — oak, beech, pine, eucalyptus, mahogany — wherever leaves close above to filter the light below. Forest green refers to the average reflectance of a healthy mid-summer canopy seen from below: a saturated, slightly muted green with the matte finish of layered chlorophyll. Deeper than fern, cooler than olive, with the ecological weight of a word that has named every wooded biome on Earth.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#2c8b2c
Original
#8e7e1f
Protanopia
#837635
Deuteranopia
#158778
Tritanopia
#707070
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.34:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.84:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##2C8B2C
Display P3
Display P3
color(display-p3 0.2861 0.5375 0.2267)
P3 has subtle headroomOKLCH chroma 0.159

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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