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Bold Tsuyukusa

#2c50cb
Notes

Bold Tsuyukusa (#2C50CB) is a true blue with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (226°, 64%, 48%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#2c50cb
RGB
rgb(44, 80, 203)
HSL
hsl(226, 64%, 48%)
HWB
hwb(226 17% 20%)
OKLCH
oklch(48.5% 0.195 266.4)
P3
color(display-p3 0.2059 0.3102 0.7674)
HSV
hsv(226, 78%, 80%)
LAB
lab(38.87% 31.78 -67.30)
LCH
lch(38.87% 74.42 295.28)
CMYK
cmyk(78%, 61%, 0%, 20%)

Etymology

Bold
adjective

Old English beald, brave, courageous — a quality word that crossed over to color in the late seventeenth century. Bold describes a color that asserts itself: high saturation combined with mid lightness, where the hue presents itself without compromise. Sits at the center of the bold-bucket grid, near strong and rich. Closer to a presence word than a pigment word.

Tsuyukusa
noun

Commelina communis, the Japanese dayflower — a wildflower whose deep blue flowers were used in the seventeenth century as a textile dye and aobana paper for yuzen dyeing patterns. Tsuyukusa-iro (露草色) refers to the saturated blue of fresh dayflower. The color refers to a fresh dayflower bloom: a saturated, slightly cool deep blue with the satin finish of three-petaled flower.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#2c50cb
Original
#0063cf
Protanopia
#0054c9
Deuteranopia
#007086
Tritanopia
#515151
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.74:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.12:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##2C50CB
Display P3
Display P3
color(display-p3 0.2059 0.3102 0.7674)
P3 has visible headroomOKLCH chroma 0.195

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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